Portrait of a Jabiru - part three -

Portrait of a Jabiru 3/3, watercolour on paper, 22 x 19 cm, © Matteo Grilli 2013

The following original artwork was selected among the finalists for the Lethbridge Small-scale Art Award and is for sale on their website:

Silent Encounters, 25 x 31 cm, watercolour on paper, © Matteo Grilli 2013

Portrait of a Jabiru - part two -

Portrait of a Jabiru - part one -

This is the first painting from a series all dedicated to the Jabiru or Black-necked Stork, Ephippiorhynchus asiaticus. I found its regal posture, slow movements and secretive attitude very charming.

New items in store:

Set of four printed greeting cards featuring a selection of some favourite Aussie iconic birds: Pale-headed rosellas, Crimson Rosellas and Kookaburras. Size of each card: 14 x 14 cm or 5.5 x 5.5'' Buy Now

Australian Nature Treasures, set of five square greeting cards. Size of each card: 14 x 14 cm or 5.5 x 5.5'' Buy Now

Imagine a walk in the Australian bush just after rain, there are many wet leaves scattered along the path and many of them have very attractive bright colours. Imagine the intense yet delicate smell of the Eucalyptus trees spreading all around, and the sound of your footsteps.

Take a little bit of that unique, simple beauty into your home with this set of forty loose printed leaves of Australian plants, Eucalyptus tree mostly. Each leaf has been cut out from a digital print on paper of my original realistic watercolor illustration.

You can use this special collection to give you home a taste of the charming Australian bush, following are some suggestions on how to use them, please feel free to contact me to share your ideas!

- You can decide to display them under the glass top of a table.
- You can arrange them in a display cabinet.
- You can mount them on a support and frame some of them and use the rest for something else, remember, they're forty.
- You can use them as bookmarks.

Colors may vary from real (they're actually much better). Buy Now

Meeting the Peewee

The Magpie-lark (Grallina cyanoleuca) is a very common suburban bird in Brisbane, it is often seen searching for food walking frantically across lawns, in pairs most of the times, if one is around usually the other is not far. I had the chance to study a breeding pair for a while and I was able to notice some very interesting things.

Male and female pair for life, different sexes have different colour patterns, females (above) have white forehead and throat, while males (below) have white eyebrows, black forehead and throat. Jouveniles have a mixed pattern with white throat and large white eyebrows, dark eyes and beak, audults have very light eyes and beak.

Both parents are very protective and won't hesitate to attack much larger birds which may be a threat for the nest such as crows. The nest is built with mud, grass and leaves. Male and female exchange nest duties approximately every 15 minutes, they both search for food so the babies can enjoy a constant food supply.

As the day gets hotter the parent stops sitting on the baby birds and stands over them with wings half open to provide shade to the nestlings.

Magpie-larks, also known as Peewees, are known to sing in duet to defend their territory. Each partner produces about one note a second but a half-second apart, so to the human ear it sounds coming from the same bird.

This beautiful bird has a very charming black and white plumage, which seems to be rather in fashion for Australian birds, their flying style reminds me of that of some bigger species of butterflies.

I hope you enjoyed reading about the Magpie-lark, until next time,

Matteo

Capturing the Iridescence

Iridescence is a very fascinating feature of feathers in many species of birds from all over the world. Certainly the brightest and most varied examples come from the birds of paradise, yet this kind of feathers are also found in birds that live in a much closer contact with humans, like ducks and chickens.

The former owner of this pair of iridescent feathers was a Pacific Black Duck, Anas superciliosa, one of the most common species of ducks, it is found along every creek and in every park around Brisbane. These two feathers are part of the secondary remiges group, one from each wing and in ducks this group of feathers is called speculum. Each species of duck has a slightly different colour, according to the angle from which we look, we can see a large number of colours, from dull green, grey and brown to a bright emerald green, purple, cyan blue, dark blue, magenta and a warm yellow-green.

Feather iridescence is the right subject to use Phthalo Blue and Phthalo Green with little or no mixing.

Representing feathers' iridescence with watercolours is challanging, one has to rely on the transparecy of the pigments, applying a number of layers of colours making sure to blend them in the right way, at the right moment. For this, I noticed that outside weather conditions also have their part in the painting process. I found particularly difficult to work on this painting during hot and dry weather, while, on the contrary, it was much easier on rainy days, when outside humidity conditions slowed down the drying time. You can probably see the difference yourself, the upper feather was painted on a wet day, the lower one on a very dry, hot day.

A newly opened website about Birds of Paradise gives, among other things, a very clear understanding of how feather iridescence works. The website is also packed with videos and photographs that are truly beautiful and worth a visit.

 And this is a series of eight bookmarks that I just released. They are printed on a beautiful 300gsm recycled paper, you can see more details following this link.

Thanks for reading,

Best,
Matteo

Botanical Studies, Markets and a Creative Exchange

During the past holiday weeks I decided to start working on some botanical sketches of leaves, just to start looking into the never-ending shades of greens and how to achieve them. I'm finding it very daunting yet fascinating. During the last year or so I started studying colours very thoroughly and in doing so I took out all the colours of my palette that didn't have the features I needed to achieve my goals. I ended up using a rather limited choice of favourite pigments which has been able to provide me with any colour I needed so far. I like keeping it simple to get the best and most varied mixes out of them. It worked, until I started mixing to match those greens... Any thought from the botanical artists who follow this blog will be much appreciated.

I started selling my art at the Bardon Community Market which takes place every Sunday 6am to 1pm in Baroona Road, Paddington, Brisbane. This was my very first time trying to sell at a market so my equipment still needs to be improved, my stall still looks small and rather flimsy, but there is a good choice of small-size prints, original artworks, greeting cards, bookmarks and origami. It has been a very nice and rewarding experience so far to be able to show my work to people outside the Internet and I'm very grateful to all those who stopped to take a look, ask questions, sign up for my newsletter, buy or just to have a chat about the local birds. By the way, there is a family of three Boobook Owls roosting inside the thick foliage of a big tree just in front of my stall, so, for all Brisbane residents who are following my blog, you are very welcome to come and say hi and take a look at those amazing owls. I'm planning to sell at the Bardon Market at least two Sundays a month, depending on the weather.

This is a beautiful sculpture I commissioned to the amazing sculptress/artist Harriet Knibbs, I have been following her blog for a while and I am in awe every time I take a visit. Her life-like sculptures of animals have a special effect on me as they remind me of my childhood, when I used to play and collect small toy figurines of all sorts of animals. Also, I have a soft spot for animal sculpture in general and I always thought that if I ever was to commission somebody a sculpture, that had to be Harriet. So I did, but what we ended up doing was a reciprocal creative commission, I asked her for a Common Pheasant and in turn, she accepted an original painting and asked for a Turtle Dove, which I painted for her with much pleasure. I chose the Common Pheasant because it is a bird I've been fond of for a very long time, and it is part of many good memories. I must admit that I miss not seeing it here in Australia. So there it is now, being a good totem on my desk, watching over my creative endeavours.

Turtle Dove for Harriet Knibbs

December News

I found this beautiful butterfly in a flower bed in the Brisbane City centre. Dead. It is a Lime or Chequered Swallowtail, Papilio demoleus. I decided to pick it up and as gently as possible I placed it in my bag. Unfortunately it lost both antennas, but still retained its beauty. I find it surprising how butterflies maintain their beauty for so long after dying.

The November/December issue of the Australian Wildlife Secrets Magazine , a beautiful magazine full of great photography and useful informations on Australian wildlife, just featured an illustration of mine of Common Ringtail possums, one of the cutest night creatures of the suburbs. Australian Wildlife Secrets is published bi-monthly and is available through newsagencies or by subscription and delivered to your door (Australia wide and overseas). Here are two images of the latest issue:

Another awesome wildlife magazine that recently featured my work is WILDLIFE Australia Magazine , published quarterly since 1963 by the community conservation group Wildlife Queensland as a major environmental awareness and educational initiative. The magazine is only available for subscribers both in Australia and overseas. Here are two images of the latest issue:

 To the Chief Editor of Australian Wildlife Secrets, Simon Watharow and to the Editor of WILDLIFE Australia Magazine, Saren Starbridge, goes my most sincere thank you for taking interest in my work.

For those interested into buying my original artworks , I would like to tell you that you are still in time to get them before Christmas if you are in Australia, at no shipping cost. No cost worldwide shipping will be available for all original artworks only until January 1st 2013.

Since this will be my last post for 2012, I would like to thank everybody who have been following and supporting my artistic endeavours, this last year has been really special in so many ways. 

Regardless of your religion or cultural background, I would like to wish you the best time spent with loved ones and a New Year full of inspiration, gratitude, beauty, good humour, good luck and wildlife!

Matteo

A South-east Queensland Spring Walk

 The Nudgee Beach Reserve is located on Brisbane's north coast and not far from the airport. It is part of the Boondall Wetlands Park, a favourite of mine, where wildlife is always aboundant and sightings are guaranteed. The location is equipped with wooden paths that will bring you over the muddy banks of Nudgee Creek where lots and lots of crabs hide themselves in their burrows just as you walk over.

The walk stretches on in a very interesting habitat characterized by Mangroves growing on both sides of the path, the ground looks rather muddy due to the changing tides thus making the perfect environment for the crabs. Bird life is also rich, in Spring the sweet song of the Mangrove Greygone fills every corner of the mangrove bush, just as the call of the Collared Kingfishers, chasing each other between the braches and over the mudflats at lowtide.

 At the point when the mangrove bush thins out, the banks of the creek become sandy and still with plenty of high trees around, it provides the perfect habitat for the Rainbow Bee-eaters, Merops ornatus, a migrant from the north who spends Spring, Summer and Autumn down south. 

Their shape in flight, their musical chattering and their colours make them unmistakable. A range of greens, blues, yellows, blacks and oranges darting in the sky is always an exciting sight.

The colours of the Rainbow Bee-eater

But they are rather shy and won't allow you to get too close, so good binoculars are a must. Their agility on air is outstanding, they make catching insects in flight look like the easiest thing. The male allowed me to watch him for a long time as he was perched on a lower branch a Eucalyptus tree in the shade. I was able to notice the only difference between male and female that is the pair of central tail feathers. Both sexes have two extended shafts which are longer in males.

Preliminary sketch

Somewhere, hidden between the sands along Nudgee Creek is their tunnel nest, bearing the new generation of Rainbow Bee-eaters.

Greeting Cards and a Gift for the Readership

I recently thought about giving the readership of Matteo Grilli Wildlife Art a gift, so I'm very happy to inform you that a coupon code is now available for all the readers and visitors of this blog, so if you're interested into getting the code to receive 10% discount on any item/s purchased at matteogrilliart.etsy.com please send me an email and I will provide you with the code.

I thing I've been planning for a long time has now been finalized. I'm very very happy about having just released this series of eco-friendly Australian Birds greeting cards . The cards have been printed on a beautifully textured Italian recycled paper and printed with eco-friendly inks. They can be purchased singularly or as a set. They come with a recycled envelope and are blanc on the inside.

More news about the store? Well, all Medium-size Prints, are now at 10% discount which becomes 20% if purchased with the coupon code, and there is international free shipping for all original artworks.
Also, I just released a collection of Origami Pheasants, the design of the origami is an original of mine as it can't be found in any origami book that I know. Each one has been painted with watercolours. 

Thanks for reading,
until next time!

All the best
M

Flying Silver Gulls Series

The light and gentle flight of the seagulls is always a pleasure to watch, the Silver Gulls are very common and I observed these at Wellington Point, a coastal suburb of Brisbane.

The rough and beautiful texture of this handmade paper is visible even in the scans and every piece of paper has four-sides deckle edges.

These three artworks are for sale in my store.

I decided not to put any mounting as it would hide the beautiful deckle edges.

 I realized this three-pieces series on handmade watercolour Khadi paper, the production and trade of Khadi papers supports and empowers small Indian communities with a low impact on the environment, find out more at khadi.com

Until next time!

M